The Fight For an American Dream: Lincoln Kirstein Facing the Russian Ballet's Conspiracy during the Pre-Cold War [A luta por um sonho americano: Lincoln Kirstein frente à conspiração do balé russo antes da Guerra Fria]

Autor: Vega Pichaco, Belén

Tipo de documento: Artículo de revista

Revista: Cuadernos de Musica, Artes Visuales y Artes Escenicas. ISSN: 2215-9959. Año: 2017. Número: 2. Volumen: 12.

doi 10.11144/Javeriana.mavae12-2.llsa

Referencias:

  • Amberg, G., (1949) Ballet in America: The Emergence of An American Art, , Nueva York: Duell, Sloan and Pearce
  • (1941) American Ballet: Primera Jira Interamericana, Junio-diciembre de 1941, , American Ballet. Nueva York: Sociedad Musical Daniel
  • Bourscheidt, R., (2009) Lincoln Kirstein: The Program Notes, , Nueva York: Eakins Press Foundations
  • Craft, R., (2013) Stravinsky: Discoveries and Memories, , Naxos
  • Duberman, M., (2007) The Worlds of Lincoln Kirstein, , Nueva York: Alfred A. Knopf
  • Boggs, J.D., (2013) Billy the Kid on Film, 1911-2012, , Jefferson, NC: Mc Farland
  • Foulkes, J.L., (2002) Modern Bodies: Dance and American Modernism from Martha Graham to Alvin Ailey, , Chapel Hill, NC: University of North Carolina Press
  • Garafola, L., Lincoln kirstein, modern dance, and the left: The genesis of an American ballet (2005) Dance Research, 23 (1), pp. 18-35
  • Garafola, L., Making an American dance Billy the kid, rodeo and Appalachian spring (2005) Aaron Copland and His World, pp. 121-147. , editado por Carol Oja y Judith Tick, Princeton, NJ: Princeton University Press
  • Goldner, N., (1974) The Stravinsky Festival of the New York City Ballet, , Nueva York: Eakins Press
  • Graham, M., (1991) Blood Memory, , Nueva York: Washington Square
  • Gunther, C., (2015) Don't Act, Just Dance: The Metapolitics of Cold War, , New Brunswick, NJ: Rutgers University Press
  • Hess, C.A., Anti-fascism by another name: Gustavo durán, the good neighbor, and 'franquismo' in the United States (2013) Music and Francoism, pp. 367-381. , editado por Gemma Pérez Zalduondo y Germán Gan Quesada, Turnhout: Brepols
  • Hess, C.A., Copland in Argentina: Pan Americanist politics, folklore, and the crisis in modern music (2013) Journal of the American Musicological Society, 66 (1), pp. 191-250
  • Hess, C.A., (2013) Representing the Good Neighbor: Music, Difference and the Pan American Dream, , Nueva York: Oxford University Press
  • Hodgings, P., (1992) Relationships between Score and Choreography in Twentieth-Century Dance Music, Movement, and Metaphor, , Lewiston, Nueva York: The Edwin Mellen Press
  • Jenkins, N., (1991) By with to &
  • From: A Lincoln Kirstein Reader, , Nueva York: Farrar, Straus &
  • Giroux
  • Jones, S., (2013) Literature, Modernism and Dance, , Oxford: Oxford University Press
  • Joseph, C.M., (2002) Stravinsky and Balanchine: A Journey of Invention., , New Haven, CT: Yale University Press
  • Kirstein, L., Blast at ballet: A corrective for the American audience (1937) Three Pamphlets Collected, pp. 3-128. , Nueva York: Dance Horizons
  • Kirstein, L., Crisis in the dance (1937) The North American Review, 243 (1), pp. 80-103
  • Kirstein, L., Latin American music for ballet (1942) Theatre Arts, 26 (5), pp. 331-335
  • Kirstein, L., (1942) The Book of the Dance: A Short History of Classic Theatrical Dancing, , Nueva York: Garden City Publishing
  • Kirstein, L., (1943) The Latin-American Collection of the Museum of Modern Art., , Nueva York: MoMA
  • Kirstein, L., What ballet is all about: An American glossary (1959) Three Pamphlets Collected, , Nueva York: Dance Horizons
  • Kirstein, L., Foreword (1967) Three Pamphlets Collected, , Nueva York: Dance Horizons
  • Kirstein, L., (1979) Thirty Years: Lincoln Kirstein's the New York City Ballet, , Londres: Adam and Charles Black
  • Kirstein, L., A ballet master's belief (1984) By with to &
  • From: A Lincoln Kirstein Reader, , editado por Jenkins Nicholas, 198-219. Nueva York: Farrar, Straus &
  • Giroux
  • Leddick, D., (2000) Intimate Companions: A Triography of George Platt Lynes, Paul Cadmus, Lincoln Kirstein, and their Circle, , Nueva York: St. Martin's Press
  • Lefrak, A., Palfy, B., Kayafas, P., (2007) Lincoln Kirstein: A Bibliography of Published Writings, 1922-1996, , eds. Nueva York: Eakins Press Foundation
  • Manning, S., (2004) Modern Dance, Negro Dance: Race in Motion, , Minneapolis, MN: University of Minnesota Press
  • McPherson, E., (2013) The Bennington School of the Dance: A History in Writings and Interviews, , Jefferson, NC: McFarland &
  • Company
  • Prevots, N., (2001) Dance for Export: Cultural Diplomacy and the Cold War, , Middletown, CT: Wesleyan University Press
  • Reynolds, N., (1983) Ballet, Bias and Belief: Three Pamphlets Collected and other Dance Writings of Lincoln Kirstein, , Nueva York: Dance Horizons
  • Saavedra, L., (2015) Carlos Chávez and His World, , ed. Princeton, NJ: Princeton University Press
  • Simmonds, H., Silverstein, L.H., Lasalle, N., (1978) Lincoln Kirstein, the Published Writings, 1922- 1977: A First Bibliography, , eds. New Haven, CT: Yale University Press
  • Sowell, D.H., (1992) The Christensen Brothers: An American Dance Epic, , s. l.: Harwood Academic Publishers
  • Stuart, M., The classic ballet, basic technique and terminology (1998) Historical Development, , by Lincoln Kirstein. Gainesville, FL: University Press of Florida
  • Taylor Gibson, C., The reception of carlos chávez's horsepower: A pan-American communication failure (2012) American Music, 30 (2), pp. 157-193
  • Teck, K., (2011) Making Music for Modern Dance: Collaboration in the Formative Years of a New American Art, , Nueva York: Oxford University Press
  • Vega, B., Performing cubanity in sounds and images: Cuban painting and music avant-garde through the looking-glass of moma in the early 1940s (2017) Music and Figurative Arts in the Twentieth Century, pp. 387-409. , editado por Roberto Illiano, Turnhout: Brepols
  • Weber, N.F., (1995) Patron Saints: Five Rebels Who Opened America to a New Art, 1928-1943, , New Haven, CT: Yale University Press